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Chang Quan - Longfist Boxing
Longfei News Letters - Volume 2, Issue 3

by Simon Watson


During the 1999 Summer Camp (Dudley Campus), Professor Li introduced Chang Quan as part of his warm-up exercises.

The forms presented are known as the "Combined Exercise for Five Hands and Steps." To help those interested recall these forms, I have reproduced the illustrations at the end of this article.

I am also presenting some text on this discipline for the students and readers to understand how it differs from the internal school of boxing.

The Principles of Chinese Wushu (Martial Arts)

Virture and Skill

Chinese Wushu emphasis is on self control and good character. Martial virtue requires that practitioners and students exercise self restraint, never abusing their skills for personal gratification or the oppression of those weaker than themselves. They should seek to uphold justice, remain fearless in the face of brutality, cultivate modesty and a spirit of co-operation.

The monks at the Shaolin Monastery, Henan Province, laid down the ten commandments of Wushu Practice. Some of these instructions are reproduced below. Shaolin Quan is an alternate reference for traditional Chang Quan.

"Let strengthening the body and mind be the chief aim . . . Proficiency in the martial art is only to be used for self-defence. Guard against all indulgence in one's personal vigour. As to any who shows pleasure in provoking disturbances or displaying unwarranted ferocity, the offender shall be dealt with in the same manner as any offending the rules of this establishment."

1. Chang Quan,
Evolution and Characteristics

The name Chang Quan was first mentioned in Qi Jiguang's book which refers to the 32 Forms of Chang Quan. However the term Chang Quan gradually became the reference to a variety of traditional schools of northern boxing. Rather than a distinct individual form, Chang Quan now refers to such styles as Zha Quan, Hua Quan, Dao Quan, Hong Quan, Hwa Quan, Fanzi Quan, Chuo Jiao, Tan Tui and Shaolin Quan. They all have strong, swift and extended movements with many leaps and turns. In combat they emphasise taking the initiative in attack, making long strikes, advancing and retreating swiftly and seeking to defeat opponents with speed. In 1920 the Wushu theorist Xu Zhedong, described these styles in his work "An Outline of Chinese Wushu." Chang Quan is characterised by fast and vigorous as well as slower movements. The demands on the joints, muscles and ligaments develop as the intensity of the movements progress. Chang Quan is very powerful yet graceful, stable yet agile.

2. Essential Skills

The essential elements in the practice of Chang Quan are posture, co-ordination, strength, vitality (spirit focus), rhythm and style.

(a). Movement and Posture

The Chang Quan movements and postures make up the framework. This includes both posture and the pose maintained between movements as well as the movements themselves.

Correct posture means that both upper and lower limbs, as well as the torso, must conform with specified demands for each form. For example the Bow stance requires that the front leg is bent at 90 degrees and the back leg is straight. In the Horse Riding stance, the thighs are horizontal with the ground. Basic posture requires that the head is upright, the neck straight, shoulders level, chest out, back erect and waist sunk.

Exact movements refer to the four basic skills of Striking, Kicking, Throwing and Grappling to immobilise the opponent. Each combat technique, advance or retreat, rise and fall, tumble or roll, leap or balance, must be clear and exact. The hands, feet, body and eyes displaying and conforming to the principles. Speed, strength, height, stability must all conform to the requirements. For instance Pushing, Thrusting, Chopping and Pulling are all attacking methods using the open hand, but each is different. The direction of the strike, the source of the force and the point of the attack are all different and they must be precisely distinguished.

The Chang Quan saying: "Fist like a shooting star, eye movements like lightning, waist like a lithesome snake, feet firm like glue."

(b): Co-ordination

Chang Quan requires perfect co-ordination of the hands, eyes, body, feet, limbs and joints. In addition concentration, spirit, breathing and strength must be integrated with the movements. Two terms frequently met with in Wushu are the "Three Sections" and the "Six Conformations."

The first refers to the division of the body into Upper, Middle and Lower sections which must be completely co-ordinated. 

The second term refers to the co-ordination of Hands and Feet, Shoulders and Hips, Elbows and Knees, The Spirit and The Mind, The Mind and Breath and The Breath and Strength. 

This expresses the requirements essential to Wushu Styles, of complete unity of the body.

(c): Use of Strength

Wushu emphasises strength, Chang Quan demands the full use of strength in combat, quick and precise action, the co-ordination of breath and strength. Movements should be crisp, fast, concentrated and snappy. However one must ensure that one's strength never becomes stiff or inflexible.

(d): Concentration

Both form and spirit must be developed. One's attention must be focused, spirit alert and determined. Eye expression is critical and must be ultimately coordinated with movement. Where the hands move the eyes follow with absolute concentration. However, concentration should not be expressed through tension in the face, frowning, clenched teeth or wild shouts. Expression should remain calm and composed and movements determined.

(e): Clear Rhythm

Chang Quan is composed of many changes, juxta-posing slow and fast, still and vigorous, rising and falling and tense and relaxed movements. These alternations give the exercise fluctuating and lively rhythm. Without this rhythm the forms would be stiff and monotonous.

"Moving like waves, towering like a mountain, darting like a monkey, descending like a magpie, standing like a rooster, remaining like a pine, turning like a wheel, bending like a bow, light like a tree leaf, heavy like a piece of iron, moving slowly as an eagle, acting as quickly as the wind."

These comparisons vividly describe the rhythm of Chang Quan.

(f): Distinct Style

Each form of Wushu displays a distinct style through different postures, techniques, strength and rhythms. The movements should be bold, agile, quick and fluid.

Combined Exercise for Five Hands and Steps


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The diagrams and some text used in this article have been repoduced from A Guide to Chinese Martial Arts by Li Tianji and Du Xilian - by kind permission of the publishers, Mclaren Publishing, 22 Golden Square, London W1R 3PA. 
Fax: 0171 437 5994.


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